The University of North Dakota’s 44th Annual Writers Conference will feature a special conversation with two-time Oscar nominee and Pulitzer-Prize-winning playwright Tony Kushner on Friday, March 22, at the Chester Fritz Auditorium.
Kushner, who is best known for his work on the screenplay of this year’s Academy Award winning biopic “Lincoln, as well as another Stephen Spielberg movie, “Munich,” and the Mike Nichols-directed “Angels in America, will take the Chester Fritz stage at 8 p.m., for an engaging chat with UND Professor of Philosophy & Religion Jack Russell Weinstein. The event is free and open to the public.
Last month, Kushner was nominated for an Oscar in the Adapted Screenplay category for his work on “Lincoln.” Chris Terrio, the screen writer for the film “Argo” was named eventual winner.
In addition to Friday’s conversation at the Fritz, earlier in the day, Kushner will attend the UND Writers Conference as a one its featured artists. He will be part of a panel of authors for a moderated discussion titled “White Noise,” at noon. The panel will be moderated by Chris Nelson, UND associate professor of English. Kushner will be joined on the panel by fellow artists Gary Shteyngart and Ed Bok Lee.
The theme of this year’s UND Writers Conference is “A Portrait of an Artist.” Other featured artists include Cheryl Strayed, best known for her acclaimed memoir “Wild: From Lost to Found on the Pacific Crest Trail.” Strayed is regarded as the author whose work caused Oprah Winfrey to reboot her wildly popular Book Club.
Also, on Saturday, March 23, UND Theatre Arts will present two works by Kushner: “Reversing Transcription: Six Playwrights Bury a Seventh, A Ten-Minute Play That’s Nearly Twenty Minutes Long,” and “Terminating” or “Sonnet LXXV” or Lass mein Schmerzen nicht verloren sein” or “Ambivalence.” The performances will take place beginning at 7:30 p.m., in the Burtness Theatre Lab.
In “After Angels,” a profile of Tony Kushner published in The New Yorker, John Lahr wrote: “[Kushner] is fond of quoting Melville’s heroic prayer from Mardi and a Voyage Thither (“Better to sink in boundless deeps than float on vulgar shoals”), and takes an almost carnal glee in tackling the most difficult subjects in contemporary history – among them, AIDS and the conservative counter-revolution (Angels In America), Afghanistan and the West (Homebody/Kabul), German Fascism and Reaganism (A Bright Room Called Day), the rise of capitalism (Hydriotaphia, or the Death of Dr. Browne), and racism and the civil rights movement in the South (Caroline, or Change). But his plays, which are invariably political, are rarely polemical. Instead Kushner rejects ideology in favor of what he calls “a dialectically shaped truth,” which must be “outrageously funny” and “absolutely agonizing,” and must “move us forward.” He gives voice to characters who have been rendered powerless by the forces of circumstances – a drag queen dying of AIDS, an uneducated Southern maid, contemporary Afghans – and his attempt to see all sides of their predicament has a sly subversiveness. He forces the audience to identify with the marginalized – a humanizing act of the imagination.”
Born in New York City in 1956, and raised in Lake Charles, Louisiana, Kushner is best known for his two-part epic, Angels In America: A Gay Fantasia on National Themes. His other plays include A Bright Room Called Day, Slavs!, Hydrotaphia, Homebody/Kabul, and Caroline, or Change, the musical for which he wrote book and lyrics, with music by composer Jeanine Tesori. Kushner has translated and adapted Pierre Corneille’s The Illusion, S.Y. Ansky’s The Dybbuk, Bertolt Brecht’s The Good Person of Sezuan and Mother Courage and Her Children, and the English-language libretto for the children’s opera Brundibár by Hans Krasa. He wrote the screenplays for Mike Nichols’ film of Angels In America, and Steven Spielberg’s Munich as well as Spielberg’s movie Lincoln. His books include But the Giraffe: A Curtain Raising and Brundibar: the Libretto, with illustrations by Maurice Sendak; The Art of Maurice Sendak: 1980 to the Present; and Wrestling with Zion: Progressive Jewish-American Responses to the Palestinian/Israeli Conflict, co-edited with Alisa Solomon. His latest work includes a collection of one-act plays, titled Tiny Kushner, featuring characters such as Laura Bush, Nixon’s analyst, the queen of Albania and a number of tax evaders, and The Intelligent Homosexual’s Guide to Capitalism & Socialism with a Key to the Scriptures (which premiered at the Guthrie Theatre in May 2009, opened in New York in May 2011). During the 2010-2011 season, a revival of Angels in America ran off-Broadway at the Signature Theater in New York, winning the Lucille Lortel Award in 2011 for Outstanding Revival.
Kushner is the recipient of a Pulitzer Prize for Drama, an Emmy Award, two Tony Awards, three Obie Awards, an Oscar nomination, an Arts Award from the American Academy of Arts and Letters, the PEN/Laura Pels Award for a Mid-Career Playwright, a Spirit of Justice Award from the Gay and Lesbian Advocates and Defenders, and a Cultural Achievement Award from The National Foundation for Jewish Culture, among many others. Caroline, or Change, produced in the autumn of 2006 at the Royal National Theatre of Great Britain, received the Evening Standard Award, the London Drama Critics’ Circle Award and the Olivier Award for Best Musical. In September 2008, Tony Kushner became the first recipient of the Steinberg Distinguished Playwright Award, the largest theater award in the US. He was also awarded the 2009 Chicago Tribune Literary Prize for lifetime achievement. He is the subject of a documentary film, Wrestling with Angels: Playwright Tony Kushner, made by the Oscar-winning filmmaker Freida Lee Mock. He lives in Manhattan with his husband, Mark Harris.
Writers Conference co-director
University of North Dakota
701.777.2393 or crystal.alberts@UND.edu